Sam Hofman
Work

Kronenbourg 1664Good Taste With A Twist

CategorySpirits & Wine
MethodIn-camera still life
CollaboratorsFold7 · David O'Brien · John Yorke · Chris Bennett · Christopher Bomann · Sune Saabye, Pernille Holm, Anja Alferi · Søren Engberg, Kate Kagawa, Emily Henderson · Lina Bach, Christian Dahl
Film
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How it was made

The shot is two bare arms twisted around each other, one of them tipping a cobalt bottle into a branded glass so the beer arcs in and heads up. It has to be the same twist and the same arc on every take, and it has to sit with everything else the campaign shot.

What went down first

Registration marks on the surface before a single frame was exposed. They are there so the effects work and the scene blending have something to line up against afterwards, which is the difference between post finishing a shot and post rebuilding it.

On the day

Three days in Copenhagen, with a pre-light the day before on the bottle against a white sweep. The pour runs off a motion-control rig that can repeat it, and comes straight back on the tethered monitor at the edge of the set, so what post is going to get is visible while there's still time to change it.

Credits

ClientKronenbourg 1664
PhotographySam Hofman
AgencyFold7
WordsDavid O'Brien
Creative directionJohn Yorke
Art directionChris Bennett
Set designChristopher Bomann
StylingSune Saabye, Pernille Holm, Anja Alferi
ProducerSøren Engberg, Kate Kagawa, Emily Henderson
ProductionLina Bach, Christian Dahl